PLAYING
TIPS ON GUITAR SOLO! |
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Here
are tips and advices on guitar solo and guitar scale questions often raised by
beginners and students! |
What
is a pentatonic scale?
What is a blues
scale?
I want to
play lead guitar and solo which I have never done before. Where
should I start?
How can I play
fast? How can I improve my picking?
How can I
play guitar solo sounding like a pro?
I’m having
trouble playing 16th and 32nd notes.
Which
left-hand finger tells you what position you are in?
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What is a pentatonic scale?
A scale is simply a series of notes
arranged in rising order of pitches. It is the basis of licks, solos,
compositions, songs, and harmony. There are many different scales invented
and existed over a couple of centuries: major, natural minor, harmonic minor,
melodic minor, pentatonic, blues, Hungarian, oriental, Neapolitan, etc.
Among these scales, the pentatonic is one of the oldest and most popularly used
especially in blues, rock and country. A pentatonic scale, as indicated by
its name, consists of five
notes. In Greek, penta means five, and tonic
means note. There are two types of pentatonic scales: major and
minor. To see what they look like or to play a couple of them, go to:
101 Basic Minor Pentatonic Scales or 101 Basic Major Pentatonic Scales
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What is a blues scale?
A blues scale is based on a minor
pentatonic scale and it consists of six notes. For instance, the C blues
scale includes all five notes from the C minor pentatonic scale, C, Eb, F, G, Bb plus
one additional note, Gb. The added note is often called a blue note as
the note gives a bluesy sound to the scale. (Refer to: 101 Basic
Blues Scales )
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I want to play lead guitar and
solo which I have never done before. Where should I start?
First, learn scales, arpeggios, and a
little bit of theory. Second, learn as many licks as possible. The best way is
to listen and copy from your favorite guitarist and recordings or instruction
books/tapes/videos. Then, pick a couple of solos or performances you really
like. Listen to and live with them day and night until you can hum and sing it
even in your dream. If you can copy and play note-for-note along with the
recording, that’s great, but even though you can’t play it now, this will
train your ears and minds. Don’t wait until you have all the basic down to
start improvising. As soon as you’ve learned a scale or an arpeggio, start
creating and playing something. Record a simple chord progression and improvise
over it. It’s not only fun, but it’ll also dictate what you should do next
and what you want to go from there. Easy said than done. Keep in mind that it
often takes years to reach a point where you can play a solo as creatively and
as freely as you want. Be patient and practice diligently and you’ll get there
before you know it!
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How can I play fast? How can I
improve my picking?
The real secret to play fast is to practice
a lot and to start really SLOWLY, gradually building speed and a sense of time,
while always playing as clearly as and as accurately as possible. One way to
practice and improve your picking is to work very hard on repetitive rhythms.
For example, you can take a portion of a scale (4~5 notes) or a short lick or
melody and practice it repetitively at various tempi. Play it SLOWLY at first,
making sure you can play each and every note cleanly with good articulation.
Here are a few other tips:
- Use alternate picking: constant use of
upstroke followed by downstroke or vise versa.
- Strive to economize your picking motion.
Try not to waste the movement between the upstroke and the downstroke. Every
picking should be as small as and as efficient as possible.
- Your picking hand and arm should be
stable. It often helps to place and fix your hand on the bridge or anywhere
that is most comfortable for you.
- It varies from one individual to another’s
taste, but rather than picking every single note, incorporating hammer-ons
and pull-offs appropriately often enables you to play a lick easier and
faster.
- Lastly, remember that playing fast
without any control and any sense of time is one of the worst habits you can
develop and the hardest to get rid of.
Remember the speed will eventually come in
time as long as you diligently keep practicing every day with a metronome. And
the best part is, the more you learn and master a lick or solo, the easier and
quicker you'll conquer the next ones!
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How can I play guitar solo
sounding like a pro?
Approaches differ from one player to
another, but if you have a specific player in mind, the best way to sound alike
is to IMITATE the player. Spend 1-2 years listening to, copying, and studying
your hero and strive to be able to play exactly like him or her. Getting
notes down is only the first step. Imitate the articulation, sound, phrasing,
dynamics, and everything else! Then, start altering a few things here and there
to better suite to your taste. For example, take one of his/her licks and change
rhythms, notes, etc. Or, you can create your own solo based on his or her solo.
Lastly, regularly record yourself and study your playing or have someone listen
to and ask for his or her honest and straightforward opinion.
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I’m having trouble playing
16th and 32nd notes.
In order to play any notes including the
16th or 32nd, you have to be able to hear it in your head first. To review
first, a 16th note is 1/4 of a quarter note and a 32nd note is 1/8 of a quarter
note. To practice these notes, think of each click of your metronome as a
quarter note and practice subdividing it in 4 or 8 equal parts. To get a feel
for a 16th note, count ONE-e-&-ah, TWO-e-&-ah,
THREE-e-&-ah, FOUR-e-&-ah (you can also say 1-2-3-4, 2-2-3-4, etc.)
while each click falls right on ONE, TWO, THREE and FOUR. Make sure you divide
each quarter note equally by four. If you have trouble dividing a click by four,
try this. Think of each click as one 16th note instead and count and tap your
foot every 4 clicks. You’ll be counting each quarter note while your metronome
plays four 16th notes per beat. You need to be able to hear these subdivision
accurately before being able to play it on guitar. Once you can hear it in your
head clearly, take one note and play 4 notes per a quarter note slowly while
counting ONE-e-&-ah, TWO-e-&-ah, etc. Alternatively, play against each
click and count each quarter note 1, 2, 3, and 4 for every four 16th notes you
play. The latter may be more helpful to practice subdividing a beat accurately.
In case of 32nd notes, just do the same as 16th notes except subdivision will be
8 equal parts instead of 4. In both notes, do it VERY SLOWLY at first. Don’t
set your metronome too fast. After you develop a solid sense of 16th or 32nd
notes, write out and play a scale or lick in both rhythms and practice
repeatedly against your metronome. There is really no short-cut for practicing
rhythms.
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Which left-hand finger tells
you what position you are in?
First finger. For example, let's say your
first finger naturally lies or positions at the 5th fret (no stretching), you
are said to be in the 5th position. Similarly, you are in the 7th position
when your first finger is positioned at the 7th fret.
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Have a question not
listed here and want a tip?
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