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INTRODUCTION
(from ROCK GUITAR CHORDS AND ACCOMPANIMENT)


Here is an introduction excerpted from Rock Guitar Chords and Accompaniment.

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To many guitarists—professional and amateur—rock is one of the major reasons they first picked up the guitar. Elvis Presley and his "Baby, Let’s Play House" made a legendary guitarist Jimmy Page want to play the guitar as a teen. Young Eddie Van Halen spent hours listening to god of the rock guitar, Eric Clapton. In fact, from the Beatles to U2, guitar has always been a significant part of the rock music scene. In particular, the instrument has historically played a key role in laying down a driving and steady rhythm, which is the foundation of rock music. While flashy, fast guitar solos attract much attention, accompaniment is indeed what a rock guitar player does the majority of the time to support the vocalist and the band. As important as it is, rock guitar accompaniment—the topic of this book—is also one of the most enjoyable aspects of learning rock guitar. With this book, the beginning student can learn gradually and systematically how to play the basic guitar chords and accompaniment styles typically played in rock.

Chapter 1 reviews such basics as guitar parts, tuning, and basic music notation and theory.

Chapter 2 introduces the basic open chords and the accompaniment style called strumming. In each section, you will learn some of the most common guitar chord forms and how to read and play simple rhythms. The last section of the chapter then discusses the 12-bar blues—the basic song form often used in blues and rock.

In Chapter 3, you will learn about the barre and movable chords and how to transpose the basic open chords to different keys along the fingerboard.

Chapter 4 presents more open chords and fingerstyle, an accompaniment style that predominantly uses fingers.

Chapter 5 first discusses some of the left-hand techniques typically used in rock guitar. Then it introduces an important accompaniment style called riff—a short accompaniment figure repeated throughout a song. The last two sections present alternative chord forms, a discussion on arranging, and song examples of various rock styles.

Chapter 6 discusses some of the common guitar equipment, such as amplifiers and effects, used to create an important ingredient of rock—sounds.

Throughout the book, various music examples and sample songs are included to show how basic guitar chords, accompaniment patterns and styles, and various techniques can be brought together to make up an accompaniment. In a similar manner, I highly encourage you to create as many of your own accompaniment examples as possible. Lastly, this book presents many of the guitar chords and accompaniment styles commonly seen and used in rock. If you are, however, interested in learning other guitar chords and accompaniment styles, refer to the other books in the Guitar Chords and Accompaniment Series. (See page 126 in this book.)

Good luck! I sincerely hope you have lots of fun learning some of the most interesting aspects of rock guitar by working with this book!

From Rock Guitar Chords and Accompaniment

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