INTRODUCTION

CHAPTER 1: MORE BASICS AND THEORY

CHANGES OF TEMPO
DYNAMICS
ARTICULATION
TIME SIGNATURE AND METER
     Meter
     Simple Meter or Simple Time
     Compound Meter or Compound
CHORD SYMBOLS

CHAPTER 2:  MORE CHORDS AND STRUMMING

CHORD DIAGRAM
SLASH NOTATION
MUTING TECHNIQUE
2-1   MAJOR(add9) / SIXTEENTH NOTES
2-2   MINOR(add9) / DOTTED EIGHTH NOTES
2-3   MAJOR SIX-NINE / DOTTED EIGHTH NOTES
2-4   MINOR SIX-NINE / COMBINATIONS
2-5   MAJOR 9 / EIGHTH-NOTE RESTS
2-6   MINOR 9 / SIXTEENTH RESTS
2-7   DOMINANT 9 / SIXTEENTH RESTS
2-8   DOMINANT 9sus4 / DOTTED RESTS
2-9   DOMINANT 7b9 / 6/8 TIME
2-10 DOMINANT 7#9 / 12/8 TIME
CHAPTER 2 REVIEW 

CHAPTER 3: MORE CHORDS AND FINGERSTYLE

RIGHT-HAND LETTERS
TAB
3-1   MINOR 11 / FINGERPICKING IN 4/4
3-2   DOMINANT 11 / FINGERPICKING IN 3/4
3-3   DOMINANT 13 / ARPEGGIOS IN 6/8
3-4   MAJOR 7b5 / ARPEGGIOS IN 3/8
3-5   DOMINANT 7b5 / FINGERSTYLE IN 2/2
3-6   DOMINANT 7#5 / FINGERSTYLE IN 2/4
CHAPTER 3 REVIEW

CHAPTER 4: MOVABLE CHORDS

BARRE TECHNIQUE 
SHIFTING TECHNIQUES 
4-1   MOVABLE CHORDS: ROOTS ON THE 6TH STRING
        E-Form Movable Chords
        G-Form Movable Chords
4-2   MOVABLE CHORDS: ROOTS ON THE 5TH STRING
        A-Form Movable Chords 
        C-Form Movable Chords   
4-3   MOVABLE CHORDS: ROOTS ON THE 4TH STRING
        D-Form Movable Chords
        F-Form Movable Chords
CHAPTER 4 REVIEW

CHAPTER 5: ALTERNATIVE CHORD FORMS

5-1   ALTERNATIVE MAJOR CHORD FORMS
5-2   ALTERNATIVE MINOR CHORD FORMS
5-3   ALTERNATIVE DOMINANT 7 CHORD FORMS
CHAPTER 5 REVIEW

CHAPTER 6: ACCOMPANIMENT FOR VARIOUS MUSICAL STYLES

6-1   BLUES STYLE
       “Shuffle Me, Baby” 
       “Boogie Woogie Me, Baby”  
6-2   ROCK STYLE 
       “Billy” 
       “Hear Me Out”
       “Aura Lee”
6-3   FOLK STYLE 
       “Long, Long Ago”
6-4   COUNTRY STYLE
       “She’ll Be Comin’ ‘Round The Mountain”
6-5   CLASSICAL STYLE
       “Three-Eighth Waltz”
6-6   JAZZ STYLE 
       “Instant Blues”
6-7   LATIN STYLE
       Reggae
       Beguine
       Rhumba
       Mambo