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INTRODUCTION
(from JAZZ GUITAR CHORDS AND ACCOMPANIMENT-2nd Edition)

Contents

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Here is an Introduction from Jazz Guitar Chords and Accompaniment (2nd edition).

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Accompaniment is one of the most important roles a guitarist is expected to play in a jazz band. Whether you are in a duo or quartet or big band, a good majority of your time will be spent playing chords and accompaniment, supporting other players and the band. As important as it is, this is also one of the most valuable, enjoyable, and interesting aspects of learning jazz guitar! With this book, a beginning student can learn gradually and systematically how to play the basic guitar chords and accompaniment styles typically played in jazz.

Chapter 1 first reviews such basics as guitar parts, tuning your guitar, and basic music notation and theory.

In Chapter 2, you will learn the most basic chords, called triads, along with a basic accompaniment style called strumming. In the first four sections, you will learn guitar chord forms of triads and how to read and play basic rhythms. Then, the last two sections discuss two basic techniques for transposing chords to other roots: barre chords and shifting techniques.

Chapter 3 will introduce you to 6th and 7th chords and an important jazz accompaniment style called comping. Many of the common rhythmic patterns you can apply to comping will be presented.

In Chapter 4, more-advanced chords called extended and altered will be presented, along with an accompaniment style called fingerstyle.

Chapter 5 will first discuss an important concept, chord embellishments. Then it will present three additional accompaniment styles: four-to-the-bar, comping with walking bass, and comping with 16th notes.

A large collection of chords, accompaniment patterns, and theory will be presented in this book, and you may feel overwhelmed from time to time. However, just remember to spend plenty of time to digest and practice each section and proceed at your own pace. Read instructions and follow the diagrams and exercises carefully, and most importantly, play everything slowly at first. This will ensure correct learning and help you avoid acquiring bad habits that might be hard to break later on.

In addition, throughout the book, various music examples and sample songs have been included to show how the basic guitar chords, accompaniment patterns and styles, and various techniques can be brought together to make up an accompaniment. In a similar manner, I highly encourage you to create as many accompaniment examples of your own as possible. Lastly, this book presents many of the guitar chords and accompaniment styles commonly used in jazz. If you are, however, interested in learning additional guitar chords and other accompaniment patterns and styles, refer to Guitar Chords and Accompaniment or More Guitar Chords and Accompaniment.

Good luck! I sincerely hope that you will have a great time learning some of the most interesting aspects of jazz guitar playing by working with this book.

(from Jazz Guitar Chords and Accompaniment, 2nd edition)

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